Picasso for Me

La Celestina 1904 Pablo Picasso (via Seattle Met)

Now at SAM: Picasso:Masterpieces from the Musee National Picasso, Paris. This is great for Seattle and the Northwest. And especially great for someone like me or for you. I've always respected Picasso, but outside textbooks and short visits to NYC, haven't figured out why I ought to like him. D.K Row of the Oregonian says of the exhibit:

...it strives for broadness, providing an extensive summary of Picasso's career through formidable prints, paintings and sculptures. Every significant period is covered: Picasso's beginnings as an intrepid talent; his Blue Period; the development into Cubism; the many works based on his many wives and lovers (from Olga Khokhlova to Dora Maar to Marie-Thérèse Walter); his absorption of Surrealism and much more.

Jen Graves of The Stranger also has some good first-hand thoughts on the exhibit. It is an extensive exhibit and as Graves points out, full of surprises and pieces not regularly reproduced.

I'm not a fan of a blockbuster. This is an exhibit that could have easily name dropped and been about something else entirely. Or it could have been fluffy (as is probably so tempting for the current climate). But Graves points out how SAM inserts some of it's own curatorial adventurousness: panels are placed throughout the African and other collections linking them to Picasso.

I have yet seen the exhibit - but wish the exhibit could go one step farther and have the guts to place the works throughout the other collections. Besides the security risk, that would be a completely radical and new way to see Picasso's works.

Semi-related: Kelsey pointed out that the PSU Lecture series is happening again. The first was Tina Olsen who talked about museum's role as educating on it's objects. She's also partly responsible for the annual Shine a Light on October 15th.

 Lots of changes for the better lately. Have been real busy but not social busy. Here's a mini-digest of sorts:

     Via C-Monster, Gary Turner's Mini-MoMa Gallery Wallpaper-like photographs. Neat!

    And, recommended by Kelsey (and PORT), is a great piece on PAM's Tina Olsen. A true bright spot for the museum. And speaking of museums: Regina Hackett has two great back to back pieces on SAM's hunt for a curator. One here. And the other.

    Two Coats of Paint defends artist's signing their art. I don't usually sign mine. It bothers me but I can't figure out why. A signature on other work never tends to bother me though...that is, unless the work is awful, in which case the artist's signature is almost like this ostentatious stamp. Maybe that's how I feel about my own. I don't want to stamp it until I'm confident it's worth declaring.

   Also, found via The Morning News: art of subtitles!

    I thought OpenWidePDX's photo essays of recent Portland exhibits is always a good way to see things you don't want to make the trip out to see. But one exhibit this month I would like to see is Bailey Winter's Ambush: The Story of the TDA.