|La Celestina 1904 Pablo Picasso (via Seattle Met)|
...it strives for broadness, providing an extensive summary of Picasso's career through formidable prints, paintings and sculptures. Every significant period is covered: Picasso's beginnings as an intrepid talent; his Blue Period; the development into Cubism; the many works based on his many wives and lovers (from Olga Khokhlova to Dora Maar to Marie-Thérèse Walter); his absorption of Surrealism and much more.Jen Graves of The Stranger also has some good first-hand thoughts on the exhibit. It is an extensive exhibit and as Graves points out, full of surprises and pieces not regularly reproduced.
I'm not a fan of a blockbuster. This is an exhibit that could have easily name dropped and been about something else entirely. Or it could have been fluffy (as is probably so tempting for the current climate). But Graves points out how SAM inserts some of it's own curatorial adventurousness: panels are placed throughout the African and other collections linking them to Picasso.
I have yet seen the exhibit - but wish the exhibit could go one step farther and have the guts to place the works throughout the other collections. Besides the security risk, that would be a completely radical and new way to see Picasso's works.
Semi-related: Kelsey pointed out that the PSU Lecture series is happening again. The first was Tina Olsen who talked about museum's role as educating on it's objects. She's also partly responsible for the annual Shine a Light on October 15th.