|Nele Tas About Christmas 2005 (via BAM)|
|Grier Edmundson The Work Ahead of Us|
2009 (via 1430)
I switched majors in college because Illustration wasn't teaching me enough about painting. I thought the act of painting alone was enough. But that put me in the position to approach subject matter very literally. Illustrative. Today I am still trying to teach myself how to paint - or - how to paint, paint, not things. How to break things apart. How to paint abstractly.
I always seem to think from figurative means to abstraction. I actually remind myself constantly to step back, squint or find a means of obstructing my observation - ways of breaking my vision. Another words, I am always turning towards representational means to articulate something, but find more and more that my subject matter means less and less. There is something else I am looking for at an abstract level.
|Maureen Gallace Cape Cod, Early September 2008|
In my process, it wasn't until seeing Grier Edmundson's work at Fourteen Thirty Contemporary last year that I truly began to understand a painting with figurative subject matter could convince me not of the narrative but of the painted relationships. Or even that those abstract relationships could create a stronger representational narrative. Grier Edmundson is also alot like Luc Tuymans.
|Richard Diebenkorn Cityscape I 1963|
|Grier Edmundson Untitled|
2009 (via 1430)
|Hurvin Anderson Peter's 3 2007 (via Thomas Dane Gallery)|
|Sarah Awad Ditch Painting #5 2010 (via Sarah Awad)|