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| The Mill 1947 Max Beckmann |
The best part of the talk for me was the unusual chance to stand in front of a painting for an hour. Sometimes I give something a few minutes. It's those minutes that give you a fresh feeling when you exit the museum. In my studio I often look at things for hours - days - but its more grueling, self-depreciating kind of looking. Or sometimes I wander a museum trying to greedily have those experiences over and over. But usually there's only one in each visit.

